{"id":5229,"date":"2025-03-25T01:20:36","date_gmt":"2025-03-25T05:20:36","guid":{"rendered":"https:\/\/plein-sud.org\/wordpress\/bourses-plein-sud\/"},"modified":"2025-06-29T16:42:03","modified_gmt":"2025-06-29T20:42:03","slug":"plein-sud-grant","status":"publish","type":"page","link":"https:\/\/plein-sud.org\/en\/plein-sud-grant\/","title":{"rendered":"Plein sud Grant"},"content":{"rendered":"\t\t
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The Plein sud Grant aims to support research and innovation in contemporary art in Qu\u00e9bec. It is intended for emerging artists, defined as those with ten years or less of professional practice. The recipient is awarded a $5,000 grant, which includes a solo exhibition integrated into Plein sud\u2019s annual programming.<\/p>\n

This exhibition benefits from all standard conditions offered by the centre, including exhibition fees, a per diem, professional artist fees, technical support for installation, as well as coverage of transportation and travel expenses. A printed publication of approximately twenty pages, featuring a theoretical text on the artist\u2019s practice and the exhibition, is also produced to accompany the event.<\/p>\n

Since 2021, the Plein sud Grant has been awarded every two years<\/p>\n

The awarding process<\/strong><\/h3>\n

Each edition involves the formation of an independent jury made up of three individuals recognized for their expertise in contemporary art. The names of the jurors are announced at the same time as the grant recipient.<\/p>\n

Each juror nominates three artists, for a total of nine candidates. From this pool, three finalists are selected based on the quality and relevance of their artistic practice. The jury then chooses the recipient of the Plein sud Grant. The two other finalists each receive an amount of $500 in recognition of their artistic work.<\/p>\n

History<\/h3>\n

Created in 1995, the Plein sud Grant succeeds the Duchamp-Villon Prize, later known as the Duchamp-Villon Grant. This initiative was launched\u2014and continues to thrive\u2014thanks to the sustained support of Mr. Charles S. N. Parent, its founder, and has been further enriched over the years through numerous one-time donations.<\/p>\n

Since its inception, the grant has supported the work of many artists, including: Paul Landon, St\u00e9phane La Rue, Emmanuel Galland, Christian Barr\u00e9, BGL, Hugues Dugas, Catherine Bolduc (2001), Manuela Lalic (2002), Bertrand R. Pitt (2003), \u00c9ric Lamontagne (2004), Natascha Niederstrass (2005), Martin D\u00e9silets (2006), le duo d\u2019artistes Cooke-Sasseville (2007), Fr\u00e9d\u00e9ric Lavoie (2008), V\u00e9ronique La Perri\u00e8re M. (2009), J\u00e9r\u00f4me Bouchard (2010), Cynthia Dinan-Mitchell (2011), Simon Bilodeau (2012), \u00c9tienne Lafrance (2013), Chlo\u00e9 Desjardins (2014), Michelle Lacombe (2015), Gabrielle Lajoie-Bergeron (2016), Philippe Caron Lefebvre (2017), Janick Burn (2018), Pascale LeBlanc Lavigne (2019), Eve Tagny (2020), Micha\u00eblle Sergile (2021) et Joyce Joumaa (2023).<\/p>\n

Acknowledgements to Donors<\/strong><\/h3>\n

Acknowledgements to Donors<\/strong>
Plein sud warmly thanks Mr. Charles S. N. Parent, Vice President at National Bank Financial and long-time donor since the creation of the Grant; Mr. Bruno Grenier, lawyer at Grenier Verbauwhede Avocats and Chair of Plein sud\u2019s Board of Directors; as well as Ms. Huguette Beaudry and Mr. Jean Beaudry, for their ongoing financial support of the Plein sud Grant.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Boursiers, boursi\u00e8res et membres du jury<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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2023<\/span>
Joyce Joumaa<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Nominations<\/h3>\n

Audrey Beaul\u00e9
My-Van Dam
Montserrat Duran Muntadas
Remy Fortin
Frantz Patrick Henry
Joyce Joumaa
Tong Zhou Lafrance
Myriam Simard Parent
Nathalie Vanderveken<\/p>\n

Finalistes<\/h3>\n

Audrey Beaul\u00e9
Joyce Joumaa
Myriam Simard-Paren<\/p>\n

Jur\u00e9s<\/h3>\n

– Sarah Kitzy Gineau-Delyon, commissaire ind\u00e9pendante
– Beno\u00eet Jodoin, historien de l\u2019art
– Stanley F\u00e9vrier, artiste plasticien<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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2021<\/span>
Micha\u00eblle Sergile<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Nominations<\/h3>\n

Laura Acosta et Santiago Tavera My-Van Dam
Marie-Andr\u00e9e Godin
Nad\u00e8ge Grebmeier Forget Vincent Lussier
Anahita Norouzi
Cindy Phenix
Amanda Pr\u00e9val
Micha\u00eblle Sergil<\/p>\n

Finalistes<\/h3>\n

Anahita Norouzi
Cindy Phenix
Micha\u00eblle Sergile<\/p>\n

Jur\u00e9s<\/h3>\n
– Nuria Carton de Grammont, commissaire ind\u00e9pendante et directrice et conservatrice de la SBC galerie d\u2019art contemporain<\/div>\n
– Eddy Firmin, artiste et fondateur de la revue Minorit\u2019Art, Revue de recherches d\u00e9coloniales<\/div>\n
– Chlo\u00e9 Grondeau, commissaire ind\u00e9pendante et directrice g\u00e9n\u00e9rale et artistique de Diagonale<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2020<\/span>
Eve Tagny<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Nominations<\/h3>\n

Steffie B\u00e9langer
Carol-Ann Belzil-Normand Karine Fr\u00e9chette
Fanny Latreille
faye mullen
Eve Tagny
Leila Zelli
P\u00e9pite & Jos\u00e8phe
doux soft club<\/p>\n

Finalistes<\/h3>\n

Steffie B\u00e9langer
Eve Tagny
Leila Zelli<\/p>\n

Jur\u00e9s<\/h3>\n
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–\u00a0Florence-Agathe Dub\u00e9-Moreau, autrice et commissaire ind\u00e9pendante<\/div>\n
–\u00a0Audrey Genois, directrice g\u00e9n\u00e9rale de Momenta | Biennale de l\u2019image<\/div>\n
–\u00a0Julie Trudel, artiste et professeure \u00e0 l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2019<\/span>
Pascale LeBlanc Lavigne<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Nominations<\/h3>\n
Maude Ar\u00e8s<\/div>\n
Camille Bernard-Gravel<\/div>\n
Mathieu Fecteau<\/div>\n
Alexia Lafert\u00e9-Coutu<\/div>\n
Pascale LeBlanc Lavigne<\/div>\n
Nataliya Petkova<\/div>\n
Sanaz Sohrabi<\/div>\n
Anouk Verviers<\/div>\n
Leila Zelli\u00a0<\/div>\n
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Finalistes<\/h3>\n

Maude Ar\u00e8s
Mathieu Fecteau
Pascale LeBlanc Lavigne<\/p>\n

Jur\u00e9s<\/h3>\n
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–\u00a0Marie J. Jean, directrice g\u00e9n\u00e9rale et artistique de VOX, centre de l\u2019image contemporaine<\/div>\n
–\u00a0Patrice Loubier, professeur au D\u00e9partement d\u2019histoire de l\u2019art de l\u2019UQAM<\/div>\n
–\u00a0Jocelyn Robert, artiste et professeur \u00e0 l\u2019\u00c9cole d\u2019art de l\u2019Universit\u00e9 Laval \u00e0 Qu\u00e9bec<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2018<\/span>
Janick Burn<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Gentiane B\u00e9langer, directrice-conservatrice de la Galerie d\u2019art Foreman de l\u2019Universit\u00e9 Bishop\u2019s<\/div>\n
–\u00a0Isabelle Hayeur, photographe et vid\u00e9aste<\/div>\n
–\u00a0Andr\u00e9anne Roy, historienne de l\u2019art<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2017<\/span>
Philippe Caron Lefebvre<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Julie B\u00e9lisle, responsable de la recherche et du d\u00e9veloppement des contenus num\u00e9riques au Mus\u00e9e d\u2019art contemporain de Montr\u00e9al<\/div>\n
–\u00a0Yann Pocreau, artiste<\/div>\n
–\u00a0B\u00e9n\u00e9dicte Ramade, critique d\u2019art et commissaire d\u2019expositions<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2016<\/span>
Gabrielle Lajoie-Bergeron<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Sylvain Campeau, auteur, critique et commissaire d\u2019expositions<\/div>\n
–\u00a0Alexandre David, artiste, professeur et directeur de la ma\u00eetrise en arts visuels \u00e0 l\u2019\u00e9cole d\u2019art de la Facult\u00e9 d\u2019am\u00e9nagement, d\u2019architecture, d\u2019art et de design de l\u2019Universit\u00e9 Laval<\/div>\n
–\u00a0Mich\u00e8le Th\u00e9riault, directrice de la Galerie Leonard & Bina Ellen de l\u2019Universit\u00e9 Concordia<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2015<\/span>
Michelle Lacombe<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Bernard Lamarche, conservateur en art actuel du Mus\u00e9e national des beaux-arts du Qu\u00e9bec<\/div>\n
–\u00a0Michael A. Robinson, artiste en arts visuels et charg\u00e9 de cours \u00e0 l\u2019\u00c9cole des arts visuels et m\u00e9diatiques de l\u2019UQ\u00c0M<\/div>\n
–\u00a0Anne-Marie St-Jean Aubre, commissaire ind\u00e9pendante<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2014<\/span>
Chlo\u00e9 Desjardins<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Katrie Chagnon, doctorante en histoire de l\u2019art, th\u00e9oricienne et commissaire ind\u00e9pendante<\/div>\n
–\u00a0R\u00e9al Lussier, historien de l\u2019art, commissaire ind\u00e9pendant et conservateur au Mus\u00e9e d\u2019art contemporain de Montr\u00e9al jusqu\u2019en 2006<\/div>\n
–\u00a0Stephen Schofield, artiste en arts visuels et enseignant \u00e0 l\u2019\u00c9cole des arts visuels et m\u00e9diatiques de l\u2019UQ\u00c0M<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2013<\/span>
\u00c9tienne Lafrance<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Mathieu Beaus\u00e9jour, artiste et coordonnateur de la galerie Clark<\/div>\n
–\u00a0Bertrand Carri\u00e8re, artiste et enseignant au C\u00e9gep Andr\u00e9-Laurendeau<\/div>\n
–\u00a0\u00c9milie Grandmont B\u00e9rub\u00e9, directrice de la galerie Trois Points<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2012<\/span>
Simon Bilodeau<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Mona Hakim, historienne de l\u2019art<\/div>\n
–\u00a0Rh\u00e9al Lanthier, directeur de la galerie Art M\u00fbr<\/div>\n
–\u00a0Denis Rousseau, artiste et enseignant \u00e0 l\u2019\u00c9cole des arts visuels et m\u00e9diatiques \u00e0 l\u2019UQ\u00c0M<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2011<\/span>
Cynthia Dinan-Mitchell<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Maurice Achard, directeur du Centre d\u2019exposition CIRCA<\/div>\n
–\u00a0Linda Covit, artiste en arts visuels<\/div>\n
–\u00a0Pierre Rannou, professeur d\u2019histoire de l\u2019art et enseignant en cin\u00e9ma au Coll\u00e8ge \u00c9douard-Montpetit<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2010<\/span>
J\u00e9r\u00f4me Bouchard<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Sylvette Babin, directrice des \u00c9ditions Esse<\/div>\n
–\u00a0Michel Boulanger, professeur et Directeur de l\u2019\u00c9cole des arts visuels et m\u00e9diatiques de l\u2019Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al<\/div>\n
–\u00a0Marthe Carrier, directrice de la galerie B-312<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2009<\/span>
V\u00e9ronique La Perri\u00e8re M.<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0J\u00e9r\u00f4me Delgado, critique d\u2019art et journaliste<\/div>\n
–\u00a0Jean Gagnon, directeur de SBC Galerie d\u2019art contemporain<\/div>\n
–\u00a0Ang\u00e8le Verret, artiste<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2008<\/span>
Fr\u00e9d\u00e9ric Lavoie<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Joyce Yahouda, galeriste<\/div>\n
–\u00a0J\u00e9r\u00f4me Fortin, artiste<\/div>\n
–\u00a0Andr\u00e9-Louis Par\u00e9, critique d\u2019art et commissaire<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2007<\/span>
Cooke-Sasseville<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Sonia Pelletier, critique d\u2019art et commissaire<\/div>\n
–\u00a0Mark Lanct\u00f4t, conservateur au Mus\u00e9e d\u2019art contemporain de Montr\u00e9al<\/div>\n
–\u00a0Raymond Lavoie, artiste<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2006<\/span>
Martin D\u00e9silets<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Jur\u00e9s<\/h3>\n
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–\u00a0Marie-\u00c8ve Charron, critique et historienne d\u2019art<\/div>\n
–\u00a0Anne-Marie Ninacs, conservatrice de l\u2019art actuel au Mus\u00e9e national des beaux-arts de Qu\u00e9bec<\/div>\n
–\u00a0Michel Goulet, artiste<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
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2005<\/span>
Natascha Niederstrass<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jur\u00e9s<\/h3>\n
\n
–\u00a0Francine Lariv\u00e9e, artiste<\/div>\n
–\u00a0Sylviane Poirier, directrice de Sylviane Poirier art contemporain<\/div>\n
–\u00a0Nicolas Mavrikakis, critique d\u2019art<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t

2004<\/span>
\u00c9ric Lamontagne<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jur\u00e9s<\/h3>\n
\n
–\u00a0Sylvie Readman, artiste<\/div>\n
–\u00a0Serge Fisette, directeur du Centre de Diffusion 3 D<\/div>\n
–\u00a0Pierre-Fran\u00e7ois Ouellette, galeriste<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t

2003<\/span>
Bertrand R. Pitt<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jur\u00e9s<\/h3>\n
\n
–\u00a0Louise D\u00e9ry, directrice de la Galerie de l\u2019UQ\u00c0M<\/div>\n
–\u00a0Fran\u00e7ois Lacasse, artiste<\/div>\n
–\u00a0Laurier Lacroix, critique et historien de l\u2019art<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t

2002<\/span>
Manuela Lalic<\/span> <\/h2><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jur\u00e9s<\/h3>\n
\n
–\u00a0Marcel Blouin, directeur du centre d\u2019exposition Expression<\/div>\n
–\u00a0Gilles Mihalcean, artiste<\/div>\n
–\u00a0Jean-\u00c9mile Verdier, historien de l\u2019art<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The Plein sud Grant aims to support research and innovation in contemporary art in Qu\u00e9bec. It is intended for emerging artists, defined as those with ten years or less of professional practice. The recipient is awarded a $5,000 grant, which includes a solo exhibition integrated into Plein sud\u2019s annual programming. This exhibition benefits from all standard conditions offered by the centre, including exhibition fees, a per diem, professional artist fees, technical support for installation, as well as coverage of transportation and travel expenses. A printed publication of approximately twenty pages, featuring a theoretical text on the artist\u2019s practice and the exhibition, is also produced to accompany the event. Since 2021, the Plein sud Grant has been awarded every two years The awarding process Each edition involves the formation of an independent jury made up of three individuals recognized for their expertise in contemporary art. The names of the jurors are announced at the same time as the grant recipient. Each juror nominates three artists, for a total of nine candidates. From this pool, three finalists are selected based on the quality and relevance of their artistic practice. The jury then chooses the recipient of the Plein sud Grant. The two other finalists each receive an amount of $500 in recognition of their artistic work. History Created in 1995, the Plein sud Grant succeeds the Duchamp-Villon Prize, later known as the Duchamp-Villon Grant. This initiative was launched\u2014and continues to thrive\u2014thanks to the sustained support of Mr. Charles S. N. Parent, its founder, and has been further enriched over the years through numerous one-time donations. Since its inception, the grant has supported the work of many artists, including: Paul Landon, St\u00e9phane La Rue, Emmanuel Galland, Christian Barr\u00e9, BGL, Hugues Dugas, Catherine Bolduc (2001), Manuela Lalic (2002), Bertrand R. Pitt (2003), \u00c9ric Lamontagne […]<\/p>\n","protected":false},"author":1,"featured_media":328,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-5229","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nPlein sud Grant - Plein sud art actuel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/plein-sud.org\/en\/plein-sud-grant\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Plein sud Grant - Plein sud art actuel\" \/>\n<meta property=\"og:description\" content=\"The Plein sud Grant aims to support research and innovation in contemporary art in Qu\u00e9bec. It is intended for emerging artists, defined as those with ten years or less of professional practice. The recipient is awarded a $5,000 grant, which includes a solo exhibition integrated into Plein sud\u2019s annual programming. This exhibition benefits from all standard conditions offered by the centre, including exhibition fees, a per diem, professional artist fees, technical support for installation, as well as coverage of transportation and travel expenses. A printed publication of approximately twenty pages, featuring a theoretical text on the artist\u2019s practice and the exhibition, is also produced to accompany the event. Since 2021, the Plein sud Grant has been awarded every two years The awarding process Each edition involves the formation of an independent jury made up of three individuals recognized for their expertise in contemporary art. The names of the jurors are announced at the same time as the grant recipient. Each juror nominates three artists, for a total of nine candidates. From this pool, three finalists are selected based on the quality and relevance of their artistic practice. The jury then chooses the recipient of the Plein sud Grant. The two other finalists each receive an amount of $500 in recognition of their artistic work. History Created in 1995, the Plein sud Grant succeeds the Duchamp-Villon Prize, later known as the Duchamp-Villon Grant. This initiative was launched\u2014and continues to thrive\u2014thanks to the sustained support of Mr. Charles S. N. Parent, its founder, and has been further enriched over the years through numerous one-time donations. Since its inception, the grant has supported the work of many artists, including: Paul Landon, St\u00e9phane La Rue, Emmanuel Galland, Christian Barr\u00e9, BGL, Hugues Dugas, Catherine Bolduc (2001), Manuela Lalic (2002), Bertrand R. Pitt (2003), \u00c9ric Lamontagne […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/plein-sud.org\/en\/plein-sud-grant\/\" \/>\n<meta property=\"og:site_name\" content=\"Plein sud art actuel\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pleinsud\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-29T20:42:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/plein-sud.org\/wordpress\/wp-content\/uploads\/2025\/03\/bourses-plein-sud-1800x.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"1118\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/\",\"url\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/\",\"name\":\"Plein sud Grant - Plein sud art actuel\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/plein-sud.org\\\/wordpress\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/bourses-plein-sud-1800x.jpg\",\"datePublished\":\"2025-03-25T05:20:36+00:00\",\"dateModified\":\"2025-06-29T20:42:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/#primaryimage\",\"url\":\"https:\\\/\\\/plein-sud.org\\\/wordpress\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/bourses-plein-sud-1800x.jpg\",\"contentUrl\":\"https:\\\/\\\/plein-sud.org\\\/wordpress\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/bourses-plein-sud-1800x.jpg\",\"width\":1800,\"height\":1118,\"caption\":\"Boursi\u00e8res Plein Sud\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/plein-sud-grant\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Plein sud Grant\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/\",\"name\":\"Plein sud art actuel\",\"description\":\"Centre d\u2019exposition en art actuel \u00e0 Longueuil\",\"publisher\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#organization\",\"name\":\"Plein sud art actuel\",\"url\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/plein-sud.org\\\/wordpress\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/plein-sud-art-actuel-logo.png\",\"contentUrl\":\"https:\\\/\\\/plein-sud.org\\\/wordpress\\\/wp-content\\\/uploads\\\/2025\\\/02\\\/plein-sud-art-actuel-logo.png\",\"width\":932,\"height\":597,\"caption\":\"Plein sud art actuel\"},\"image\":{\"@id\":\"https:\\\/\\\/plein-sud.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/pleinsud\",\"https:\\\/\\\/www.instagram.com\\\/pleinsud\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Plein sud Grant - Plein sud art actuel","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/plein-sud.org\/en\/plein-sud-grant\/","og_locale":"en_US","og_type":"article","og_title":"Plein sud Grant - Plein sud art actuel","og_description":"The Plein sud Grant aims to support research and innovation in contemporary art in Qu\u00e9bec. It is intended for emerging artists, defined as those with ten years or less of professional practice. The recipient is awarded a $5,000 grant, which includes a solo exhibition integrated into Plein sud\u2019s annual programming. This exhibition benefits from all standard conditions offered by the centre, including exhibition fees, a per diem, professional artist fees, technical support for installation, as well as coverage of transportation and travel expenses. A printed publication of approximately twenty pages, featuring a theoretical text on the artist\u2019s practice and the exhibition, is also produced to accompany the event. Since 2021, the Plein sud Grant has been awarded every two years The awarding process Each edition involves the formation of an independent jury made up of three individuals recognized for their expertise in contemporary art. The names of the jurors are announced at the same time as the grant recipient. 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